Today Is Tomorrow’s Past: What Pono Means For The Future Of Music
Like Hemingway used to, I find myself writing while standing up. There’s numerous health studies that support this, but my reasons are different. I’m standing solely because my Macbook’s flanked directly next to my turntable. I digitize recently purchased records as I write, work, and idle shiftlessly about the internet. I stand because despite the technology that rules my life I’m still a slave to the analog.
I’ve known about Neil Young’s Pono project for awhile, and seeing it launch last week made the possible seem real. Do I think Pono is the end all be all for the future of music? No way. When I was Music Director at 90.9 WONY in 2001 I was told that SONY’s Mini-Disc was the future. Still, any technology that can improve the listening experience is going to grab my attention, and Moore’s Law be damned, despite these advancements of technology, Vinyl is still the King of quality.
Some dude named Edison “kick-started” the phonograph in 1878 and since then Vinyl’s met and conquered each competitor that’s stepped into the auditory ring. Reel-to Reel, 8-Track, Cassette, CD, Mini-Disc, and even the almighty MP3 have not been able to replicate or improve upon the quality of Vinyl. Listening to records is not a mobile activity however, and that’s what technology has brought us over the past Century – ease of use and portability, but NOT improved quality.
This ease of use has come at a cost, as the overall quality of what people are listening to has been compromised, compressed, and cheapened – and this holds especially true with the MP3. My “day job” for the past decade has been working with large media companies to maximize the quality of their digital media files, and anytime you sample down from the original source you’re losing quality. This degradation is necessary though, because the emphasis of technology has become portability, or more specifically, and now we’re getting to elephant in the digital room, mobile phones. In order for media to work properly on a smart phone in 2014 you’ll need to significantly degrade the quality of the source file – and this fact is universally true for both audio & video.
What’s interesting to me is that the average consumer will watch a video on their phone without complaint – knowingly accepting that the quality isn’t a tenth as good as what they’d put up with in their living room. What saddens me is that this same consumer will listen to an MP3 on their phone as well as in their Living Room and think nothing of it. The truth is that a similar gap in quality lies between the MP3 on your phone and the record on your turntable. It’s like going from HD to bunny ears, and there’s now an entire generation that doesn’t even know that gap exists.
This is what intrigues me so much about Pono. I have zero Faith that the format will become the medium of choice for this era of digital music. But I do have hope that it’ll make enough of a dent to shift the conversation some. The cost of Storage per Gigabyte has plummeted from over $10 per GB in 2000 to under $0.10 today. The MP3 did great things for helping music infiltrate all parts of our lives, however, we don’t need the MP3 anymore, it’s antiquated, cheap, and subpar for our HD lives.
In the end I think Pono will sing truest to the Audiophile Community, but it’s time for the general public, and especially this new Generation, to take its ear muffs off. I know I can’t be the only one to stand (literally) a slave to good sounding music, and if Neil and Pono can help shift the consumer back to quality over quantity, I’m all ears.